SKU: 73491747246
cybex bebek arabası kadınlar kulübü

cybex bebek arabası kadınlar kulübü Cybex Priam Bebek Arabası Rose Gold

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Description

cybex bebek arabası kadınlar kulübü Cybex Priam Bebek Arabası Rose GoldCybex, sadece pratik ve salam deil, ayn zamanda gerek bir tasarm paras bebek arabasdr.. Priam'n deiken erevesi, mobil yaamn tm zorluklar iin doru zm salayan farkl seeneklerin kullanlmasna izin verir. Priam', Cloud T Anakuca veya sadece Seat Pack ile kullanabilirsiniz. Priam, ne ya da arkaya bakacak ekilde ayarlanabilen bir oturma nitesi ile ift ynl kullanlabilir. Koltuk nitesi doumdan itibaren 22 kgya kadar kullanma uygundur. Priam'n sadece tek elle

 

Cybex, sadece pratik ve sağlam değil, aynı zamanda gerçek bir tasarım parçası bebek arabasıdır..
 
Priam'ın değişken çerçevesi, mobil yaşamın tüm zorlukları için doğru çözümü sağlayan farklı seçeneklerin kullanılmasına izin verir.
Priam'ı, Cloud T Anakucağı veya sadece Seat Pack ile kullanabilirsiniz.
 
Priam, öne ya da arkaya bakacak şekilde ayarlanabilen bir oturma ünitesi ile çift yönlü kullanılabilir.
Koltuk ünitesi doğumdan itibaren 22 kg’ya kadar kullanıma uygundur.
 
Priam'ın sadece tek elle katlanması çok kolaydır, koltuk ünitesi çerçeve ile kompakt, düz bir şekilde katlanır.
Bağımsız bir birim olarak bile, yeni Priam restoranda, toplu taşıma araçlarında ve evde kolaylıkla saklanabilir.
 
Basit kullanımı sayesinde Priam Lux Koltuk, tek elle yatar pozisyona ayarlanabilir.
Öne ya da arkaya dönük olsun, Priam Lux Koltuk sadece birkaç basit adımda istenilen konuma kolayca ayarlanabilir.
 
Priam'ın uzatılabilir XXL güneş tentesi UPF50 + güneş koruması sağlar ve ayrıca rüzgara karşı etkili bir şekilde korur.
Priam’ın yeni dört tekerlek süspansiyonu hem ebeveynler hem de çocuk için yumuşak, sessiz ve rahat bir sürüş sağlar.
 
Priam'ın koltuk yüksekliği ortalama masa yüksekliği (80 cm) ile mükemmel bir şekilde hizalanır, böylece hareket halindeyken restoranlarda veya kafelerde mobil çocuk koltuğu olarak kullanılabilir.
Cybex Priam, gerektiğinde katlanabilen geniş ve kolay erişilebilir bir alışveriş sepetine sahiptir.
 
 
 
 
Özellikleri
 
 
Amerika'lı Ünlü Mimarlar Eames Çiftinden Esinlenen retro modern ikonik tasarım
Red Dot Tasarım Ödülü
Alman Mühendisliği, Cybex Kalitesi
Doğumdan 25 kg'ya (yaklaşık 6 yaş)kullanılabilir
Ayrı satılan Cybex ana kucakları ile Travel Set olarak kullanım imkanı 
(Kutu içeriğinde adaptör mevcuttur)
Oturma Grubu Çift Yönlü Kullanılabilir
4 Tekerlek Süspansiyon, 4 Farklı Yatış Pozisyonu, 3 farklı ayaklık ayarı
Tek El ile Yatış Pozisyonu Ayarlama Kolaylığı
Yüksek oturma pozisyonu ile mama sandalyesi olarak kullanım imkanı
Yükseklik Ayarlı İtme Kolu
Son derece kolay şekilde tek elle katlanır
Oturma ünitesinin yönünü değiştirmeden, iki yöne de katlanabilir
Katlandığında kendi başına ayakta durabilir
İhtiyaç duyulduğunda açılarak büyüyen UV 50+ koruma dev tente 
Tentedeki açılıp kapanan pencere sayesinde bebeği yukarıdan izleme imkanı
Kumda veya karda 2 tekerlek ile çekerek Kullanım imkanı tanıyan çek çek pozisyonu
Büyük alışveriş sepet ve yağmurluk
 
Sadece 12 kg
Katlandığında ölçüler: Uzunluk 93 cm, genişlik 60 cm, yükseklik 23 cm
 
Garanti : 2 yıl
Ücretsiz kargo
14 gün koşulsuz iade garantisi
 
 
Teknik özellikler:
Doğumdan itibaren 25 kg'a kadar (yaklaşık 6 yıl)
Ağırlık (katlanmış Priam Çerçeve ve Koltuk Paketi): 12,9 k
Tek elle katlama
Düz, ergonomik yatma pozisyonu
Ters çevrilebilir koltuk ünitesi
Yüksekliği ayarlanabilen gidon
Hafif alüminyum çerçeve
Hafıza düğmeleri
Tampon çubuğu
Dört tekerlekten süspansiyon
Arazi tekerlekleri
Döner ön tekerlekler
 

 

 
 
 
 
Koltuk Ünitesi Özellikleri
Uzatılabilir XXL güneş gölgelik
Bellek düğmeleri
Mama sandalyesi işlevi
Ayak desteği
4 Pozisyon yatış
Yumuşak oturma pedi ile konforlu yatış
Ağırlık : 12 kg
 
 
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SKU: 73491747246

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4.6 ★★★★★
Based on 424 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
New York, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Louisville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Port Orchard, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Whiting, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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